The University of Arkansas Department of Theatre administers the Kernodle New Play Award, a national playwriting competition named for George R. Kernodle, beloved U of A theatre professor and author of "Invitation to the Theatre". The award recognizes full-length plays that invite the audience’s imagination and are inherently theatrical. The Award is given annually with submissions typically beginning accepted in late Fall.
The submission window for 2019-2020 opens on November 1, 2019 and closes December 16, 2019. While the deadline is December 16, please note due to staffing limitations, we can only accept the first 100 unsolicited submissions received in 2019-2020, and on November 10, 2019 we hit our submission limit of 100 unsolicited submissions and can no longer accept unsolicited manuscripts. Any unsolicited submission received after Nov. 10, 2019 will not be considered.
Playwrights whose work has been directly solicited, agent submissions, and playwrights who currently reside in, or are originally from, Arkansas are welcome to apply until the Dec. 16, 2019 deadline. For complete guidelines, please see Submission Information below.
Annually, there is a single prize of $500 given to the winner. One or two “special commendations” may also be awarded.
Winning plays and finalists will be considered for public readings by the University of Arkansas Department of Theatre and/or for inclusion in the Arkansas New Play Festival, produced in Fayetteville by TheatreSquared.
Announcement of Awards: April/May 2020.
Our reading committee is largely comprised of current MFA theatre students, alums, and U of A faculty. With respect to the graduate students workload during any given cycle and coupled with our desire to keep accepting unsolicited manuscripts without a reader’s fee, we have capped the amount of unsolicited manuscripts we can accept to the first 100.
Please see submission guidelines below and thank you for your understanding.
Eligibility: All playwrights must fill out our online submission form, which is only available during our submission window, November 1 through December 16, 2019. Plays submitted before November 1, 2019 will not be considered.
Additionally, please understand, due to staffing levels (and a desire to keep unsolicited submissions free), we can only accept the first 100 unsolicited submissions received in 2019-2020*.
Please note: on Nov 10, 2019 we hit our submission limit of 100 unsolicited submissions and can no longer accept unsolicited manuscripts. Any unsolicited submission received after Nov. 10, 2019 will not be considered.* We regret not being able to read your work, but we also have to work within the realistic capabilities of our reading staff. Please do not send us your unsolicited materials after Nov 10, 2019 for consideration this year, but do plan to apply early next year. We will review our unsolicited submission policy again after this year, and open the submission window again in Fall of 2020.
*Playwrights whose work has been directly solicited, agent submissions, and playwrights who currently reside in, or are originally from, Arkansas are welcome to apply until the Dec. 16, 2019 deadline. When filling out our online form, you will be asked to indicate who solicited your work or your ties to Arkansas.
For all submissions, please follow the process below.
- Complete the Online Submissiom Form, where you will be asked to provide:
- 10 page sample from the script you are submitting
- A brief synopsis and history of the script
- Author Bio
- Full-length manuscript (70+ minutes)
- All documents should be in PDF format and uploaded to our Online Submission Form
- Plays submitted in previous years will not be accepted.
- Plays must be unpublished and cannot have been professionally produced (previous workshop OK). No plays for young audiences, or musicals please. Adaptations considered only if rights are clearly secured or source material is in public domain.
- One submission per writer
- Please allow 3-6 months response.
Submission Fee: None.
Deadline: Submissions must be made between November 1 and December 16, 2019.
Announcement of Awards: April/May 2020
Current and Past Winners
The Kernodle Award was established in 1986 in honor of faculty member George R. Kernodle (1907-1988)—U of A theatre professor, director, translator, and author of several scholarly works on theatre.
The Department of Theatre in the J. William Fulbright College of Arts and Sciences is pleased to announce that playwrights Jason Grote (Desire Path) and Alyson Mead (The Flora and Fauna) are the co-winners of the 2019 Kernodle New Play Award. The reading committee—composed of graduate students, faculty members, and community partners—also named Candrice Jones’ play Flex as a finalist. Read full press release.
Read more about our current Kernodle Award Winner(s) and explore the archive of past year's winners.
Desire Path, by Jason Grote, takes it name from city planning, which are those paths people make for cut-throughs around sidewalks or trails – those diagonal shortcuts in which pedestrians have stomped out the grass. Grote’s play follows a couple’s equally quixotic journey as he deals with fallout from his step-father’s death, she nurses a goat, and they both confront the death of the environment. One respondent writes the play “stands first in rank in regards to its imaginative scope and display of unchecked creative expression.” Like any desire path, the writing ventures places other scripts often do not tread, as it delves into problems that have no easy answers, displays scenes that are intricately woven, and complex themes ranging from nurture, empathy, and our responsibility to one another and to the planet.
The Flora and Fauna is a haiku of a play, deft and poetic in its exploration of a years-long relationship between two women. Playwright Alyson Mead balances trauma, joy, and love in a far too rare genre for the American stage: the female friendship play. As one respondent wrote: “There is power in the voice of the play, a strong expression of compassion, and effective craft.” The deceptively simple structure offers modern audiences an opportunity to immerse themselves in the depth and complexity of these two characters and the journeys of their lives. The Flora and the Fauna has also been recognized as a Princess Grace Award finalist, Henley-Rose Award winner, Bridge Initiative New Work winner, American Stage’s 21st Century Voices winner, among others.
Special Citation: Candrice Jones - Flex
Winner: Carlos Murillo - Killing of a Gentleman Defender
Killing of A Gentleman is a funny, provocative, ambitious drama that artfully connects—through the magic of theatre and soccer—the underserved communities and kids of current day Chicago with the cartel-riddled neighborhoods of Colombia in the early nineties. The play energetically examines the real-life consequences of structural racism and finding yourself stuck in the wrong place at the wrong time, whether that be on the soccer field, or in a South-Side neighborhood in Chicago.
Special Citation: EllaRose Chary - The Lake and The Mill
Winner: Barbara Hammond -Visible From Four States
A lyrical drama that elegantly contemplates the intersection of commerce and faith. The play weaves together the plights of a struggling town that fights to stay on the map in contemporary America, while the residents confront their feelings about the death penalty as the prison up the road approaches its first execution in years.
Special Citation: Mia McCullough - Wisdom From Everything
Winner: Deborah Yarchun - Tectonic Mélange
When Tara, a petroleum geologist, surveys for minerals in a small town in North Dakota, she uncovers more than she expected- including deep community tensions and a darker side of herself.
- 2015: On hiatus
- 2014: Adam Kraar: Dream of a Deer at Dusk
- 2013: Kevin Kautzman: Dream of a Perfect Sleep. Read Press Release.
- 2012: …Searching our records*
- 2011: Roy Glassberg: Overture, A Riff on The Sin of Despair
- 2010: Michael Bettencourt: Let Down The Rains
- 2009: Evan Guildford-Blake: American Blues
- 2007: Tom Coash: Kamasutra
- 2006: Beau Willimon: Lower Ninth
- 2005: Richard Martin Hirsch: The Bear Claw Solution
- 2004: W. Gregory: Why We Invented God
- 2003: Natalie Gaupp: Lots of Greed and Avarice Going Down
- 2002: Rob Cardazone: The Birth and Death of Stars
- 2001: Seth Kramer: Speak Now
- 2000: Kent Brown: Hope and Mercy
- 1999: Dori Appels: Monkeyshines
- 1998: …Searching our records*
- 1997: Deborah Smith: Myrtie
- 1996 to 1986: …“And the rest is silence.” *
*Please contact us with information or corrections on the above listing.
If you have any questions, please contact us at firstname.lastname@example.org or (479) 575-2953.